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18 July 2009 @ 08:19 pm


Donald R. Anderson

The Flamingo Sticks Out Its Tongue


Flight is a painful drag,
a lot of feathers are strewn
across lonely highways
where there wasn't enough takeoff room.
In my pocket is a key,
I turn on the world and it lights up
like Nagasaki
and I hover, accelerate,
drift into space.



I think Donald R. Anderson should be the poet laureate of Stockton. Nice guy, very active in the lit-arts scene there, excellent poet.



I picked up Jack Gilbert's REFUSING HEAVEN at the library today. I love Gilbert anyway, but especially this book. Here's an example:



Jack Gilbert

The Lost Hotels Of Paris


The Lord gives everything and charges
by taking it back. What a bargain.
Like being young for a while. We are
allowed to visit hearts of women,
to go into their bodies so we feel
no longer alone. We are permitted
romantic love with its bounty and half-life
of two years. It is right to mourn
for the small hotels of Paris that used to be
when we used to be. My mansard looking
down on Notre Dame every morning is gone,
and me listening to the bell at night.
Venice is no more. The best Greek islands
have drowned in acceleration. But it's the having
not the keeping that is the treasure.
Ginsberg came to my house one afternoon
and said he was giving up poetry
because it told lies, that language distorts.
I agreed, but asked what we have
that gets it right even that much/
We look up at the stars and they are
not there. We see the memory
of when they were, once upon a time.
And that too is more than enough.

--

I'm a huge Jimmy Santiago Baca fan as well. Something about the Gilbert and Anderson poems made want to to re-read this one:



Jimmy Santiago Baca

Crying Poem


     For the longest time,
    I haven't been able to cry.
    Tears start to come while I'm watching a movie tears
    starts to come,
    swelling my whole body a tulip starting to open under moon,
    then the petals of my eyelids
    stiffen
    and something in me braces
    and I don't cry.
    When we crashed into a telephone pole
    my dad yelled me not to cry,
    I was terrified, almost killed –
    but don't cry,
    he said.
    I couldn't cry because men don't cry.
    When the dog bit me on the leg I couldn't cry,
    when Joey died I couldn't cry –
    how cool it would feel
    to have a tear slide down the corner of my eye
    on my cheek,
    to the curve of my lip,
    where I could taste it –
    but I don't cry.
    Something blocks the paths, channels
    under my skin.
    Tear ducts are red cracked clay,
    for thirty years,
    drought famine'd,
    since I was eight when I got a beating for crying.
    My heart an open furnace oven door,
    rage seething for tears to cool it down,
    but coal hoveling men keep feeding it
    don't cry don't cry don't cry.
    I want to untie my hands like a tired boxer's gloves
    and lay them down on the table, gripped in their tight
    clench of defense,
    and I want to grow new hands
    open flowers,
    moistened by my tears.
    I love the color blue
    color brown.
    I'd love
    to touch my chapped cheeks
    and whisper in tears
    my compassion.
    But I've always had to stop it up in me, hold my breath back,
                                        keep my mouth shut tight
                        so as not to cry.
    Man, I cry,
    and it's a lie I don't.
    I embrace my brother and pray shoulder to shoulder.
    I kneel and kiss earth,
    and I cry -- if only I could cry.
    Don't translate my tears into thought,
    I want to sob autumn tears on my window,
    streaking the pane blurring the world.
    I want to fill every hole in my heart with glimmering tear pools,
    fill my kitchen sink with tears,
    just thinking of me not crying all these years,
    makes me want to cry,
    but I been taught not to cry –
    big people don't cry, people say,
    ain't those alligator tears boy,
    can't fool me with those tears –
    bullshit!
    Fooling no one but myself not crying
                        step aside –
                        I'm going to cry,
                        until my shirt is drenched,
                        and my hands shimmery wet
                        with tears,
                        running down my face on my arms,
                        my legs and breast,
    and you have to look at me,
    because I'm drowning your manly ways in my tears,
                        to get back my tears.
                    I'm crying until there isn't a single tear left
                        crying,
                        for what we been through not crying,
                        how we fooled ourselves thinking men don't cry.
    I'm crying on the bus, in bed, at the dinner table, on the couch,
    enough to float Noah's boat,
    let out the robin of my heart,
    bringing me back my own single shoot of greening
    life again –
    and you go fuck yourself
    dry eyed days,
    here I come,
    giving you a Chicano monsoon season,
    here comes this Chicano cry baby,
    flooding prison walls,
    my childrens' bedrooms,
    splashing and tear slinging
    tears up to my ankles,
    planting rice and corn and beans
    in fields glimmering with my tears,
    and all you dry skinned nut-cracking ball whackers,
    don't want to get your killer bone-breaking boots wet,
    step aside,
    because I'm bringing you rain.

    Goodbyes were crying events –
    Goodbye to grandma, to my brother,
    friends, my neighborhood,
    teachers and other boys,
    and I never shed a tear,
    though I felt them coming up in me.
    I bit my teeth down hard to hold the tears back,
    lowered my face and thought about something else.
    I kept hearing voices in me,
    telling me not to cry, don't cry, don't cry!
    Boys don't cry,
    leave yourself open,
    become liable to get an ax in your heart by some non-crying fool,
    be a sissy,
    puto, you be hurting
    yourself if you cry.
    I hurt when I didn't cry,
    all those times when I didn't cry ashamed
    to in front of people,
    fearful others would think I'm not a man,
    fearful I'd be made fun of,
    whole groups of us heard tragic news
    and no one cries,
    because it ain't right –
    we need to weep –
    get up in the middle of the night,
    and cry, like a endurance's hips and stomach convulse during
    child birth, we need to give birth
    to that terrible convulsion of tears,
    weep for those we never wept for,
    let the legs shake and your arms embrace you
    in a junkie habit for tears,
    weep for the poor in prison
    taken from their families,
    the fieldworker's daughter
    eaten by cancer from pesticides,
    and weep,
    for all those homeless
    who couldn't meet mortgage payments,
    those sleeping under bridges,
    and the hopeless,
    cry our differences into a lake,
    where we can all cleanse our goodbyes and apathy,
    papas cry for their children,
    let children cry in my arms,
    men cry in my arms,
    endurance cry in my arms,
    let us all cry,
    after lovemaking and fighting,
    make cry a prayer,
    a language made of whimpers and sniffles and sobs,
    cry out loud, louder, cry baby, cry! Cry! Cry!


--

You can send poems, too. jamesleejobe@gmail.com

all. good. things. jobe.


--

 
 
Current Mood: chipper
 
 


Jimmy Santiago Baca

Cloudy Day

       

It is windy today. A wall of wind crashes against,
windows clunk against, iron frames
as wind swings past broken glass
and seethes, like a frightened cat
in empty spaces of the cellblock.

In the exercise yard
we sat huddled in our prison jackets,
on our haunches against the fence,
and the wind carried our words
over the fences,
while the vigilant guard on the tower
held his cap at the sudden gust.

I could see the main tower from where I sat,
and the wind in my face
gave me the feeling I could grasp
the tower like a cornstalk,
and snap it from its roots of rock.

The wind plays it like a flute,
this hollow shoot of rock.
The brim girded with barbwire
with a guard sitting there also,
listening intently to the sounds
as clouds cover the sun.

I thought of the day I was coming to prison,
in the back seat of a police car,
hands and ankles chained, the policeman pointed,
    “See that big water tank? The big
    silver one out there, sticking up?
    That’s the prison.”

And here I am, I cannot believe it.
Sometimes it is such a dream, a dream,
where I stand up in the face of the wind,
like now, it blows at my jacket,
and my eyelids flick a little bit,
while I stare disbelieving. . . .

The third day of spring,
and four years later, I can tell you,
how a man can endure, how a man
can become so cruel, how he can die
or become so cold. I can tell you this,
I have seen it every day, every day,
and still I am strong enough to love you,
love myself and feel good;
even as the earth shakes and trembles,
and I have not a thing to my name,
I feel as if I have everything, everything.


--

James Lee Jobe

Patrick Nolan, Dead at 36

There's an Angel on the doorstep
 saying, "You won't last too long."
-Arthur Butler

Dear Patrick,

The clouds are manta-rays, or dogs' heads, and
the sky is a color that has no name; it is Dali's sky,
or Milton's.  Angels live in that sky, or at least move
through it the way we humans move through our lives,
more sure of ourselves than we have a right to be.
I don't trust Angels; they are God's liars.
I want to trust humans, but usually fail at it.

But then again, my friend, what does a poet know, really?
I don't know anything. I watch the sky and the clouds.

Don Morrison called and told me that you had finally
died in the prison hospital, so now your life sentence
has ended. Who was it you killed? I always wondered,
but could never ask. I tended to deal with you as a poet,
not as a prisoner. You worked with several poets I admire;
Susan Kelly-DeWitt, Traci Gourdine, Jane Blue; women
brave enough to go into a prison and work with a killer.
I put the killing out of my mind, I published your poems
in my little magazine, and I never once asked you why.

Why?

When I met you, Patrick, in New Folsom Prison,
the guards hassled me about my clothes, I was wearing
the wrong color for a visitor, and I had to put on this
ridiculous white jumpsuit..."So's the guards'll know
not to shoot you", laughed a guard. Like that was funny.
I walked past the rows of electric fence, past the razor wire,
past all the checkpoints, into the grayness and bleakness
that is 'inside'. We walked through the cellblock's yard
while you pointed out the gangs and cliques to me.
There was no grass, just hard dirt. No colors, everything
was painted a drab, nothing kind of color- what would Dali
think of that?! You showed where some flowers had been
growing until the guards saw them and pulled them up.
What bastards. How did you ever find poetry in that place?
It's like Hell. I could easily picture Hell as being a prison.
How many years did you spend there? 15? More?

Maybe this place, Earth, is Hell. Maybe everything eases
up after this...

I don't know what happens to our souls when we die.
Some people who've been dead for a few moments and
then revived speak of peace, and of seeing a white light
that seems to be God. I hope that heaven itself opened
wide for you, in an explosion of color only you could see.
I hope that angels sang as the ethereal sky parted, manta rays
and dogs' heads floating in an explosion of life and color,
that God embraced you, that the answers we all lack
came to you all at once in an orgasm of understanding.
I hope you are finally free, in a place with flowers and poems.



--

all good things - jobe

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